Synth music often belongs on a spectrum between hardcore electronic tones and cheesy ’80s pop.
Music at the more electronic end can be brain-meltingly intense (Com Truise is a good example), while music of the pop variety can be lyrically sickly sweet, and it doesn’t take long to get tired of the same drum-machine cowbell sound that should have long ago been deleted from everyone’s samplers (check out Sunglasses Kid if you are, for some reason, curious).
I love music at both ends of the spectrum, for different reasons. The brain-melting tonal stuff can be a fun experience, alone in the dark with good headphones. And the super-cheesy catalogue has some real gems; from lovingly-crafted pastiches of ’80s culture and sounds, to genuinely catchy and well-produced tracks that could be mistaken for a fresh single from Spandau Ballet.
But Synth music that can sit between these two extremes, and offer a balance of synth-y extravagance with the classic sound of ’80s optimism.
This balance has always been the hallmark of Brothertiger, outfit of US artist John Jagos. His recent EP, A Chain of Islands, is a perfect example of how well Brothertiger can merge the sounds of the ’80s with modern synth.

